Search: Starring Shea Whigham

Green's script is filled with understanding and honest reflection.

No film by Herzog has ever been so defiantly mainstream – and yet at the same time this remains one of the director's craziest, most outlandish affairs.

Berg's dilemma requires him to try and solve logical and ethical puzzles, and cannot be alleviated through the easy process of having him find Heisenberg likeable.

This is a tense and enjoyable genre picture, and one which gets terrific central performances from all involved.

There are so many shots through things, boundaries, borders, thresholds, that we are primed for other barriers crossed. Those transgressions are not light ones, but in them is an abject honesty.

An emotionally engaging portrait of the struggles of life on a Native American reservation in Oklahoma

If only Fast And Furious had a better sense of humour, it might just wash.

This souped up little number comes with plenty of cliche under the bonnet.

This is a story about grief and loneliness here masquerading as one about rockets.

Phoenix strips the skin off your eyeballs. What happens next is a gasp away from easy.

McConaughey works above and beyond his usual remit to remind us that he can also convey a formidable intensity and subtle sensitivity.

If anything the potential dangers of AI are even more in the news now than when the film was shot, making it feel bang up to date.

It’s certainly all very timely and apposite

The plotting, though not without cliche, retains a satisfyingly robust quality - dense enough to keep you intrigued without becoming overwrought.

It rocks the chocks and never allows tension to slacken for a second

Leads and support cast alike march their talents off a cliff like the most earnest of lemmings.

An astounding film.

Funny, moving and endlessly surprising.

Filmmaking that does not compromise for the sake of entertainment.

Director Martha Stephens uses a palette full of soft browns and pastels designed to evoke nostalgia but shows us plenty of cruelty just under the surface.

Wristcutters isn’t a story of despair but of hope, moving on, and, yes, love.

This is how you destroy people's dignity and make them yours, Scorsese seems to say.